Coming – July 2016



He's a bit Wild.She's got Bite.-2

In my new paranormal romance, a rare-book expert is delivering a package to Half Moon Hollow when her plane goes down, and a sexy vampire comes to her rescue. He’s clearly got ulterior motives, but does he want to date her…or devour her?

Delivering a rare book to a valued customer is definitely part of mild-mannered archivist Anna Winthrop’s job description. You know what isn’t? Protecting her precious cargo from mid-flight theft by the very pilot who is flying her to Half-Moon Hollow…while trying to appear as unappetizing as possible to the only other passenger, a vampire. Undead bookstore owner Jane Jameson could be waiting a very long time for her book. Possibly forever.

Fortunately, Anna’s dashing fanged companion Finn Palmeroy helps her fend off the attack, but not before their plane crash lands in the forest hundreds of miles from civilization. Great, now she’s stranded with a priceless tome and a rakish vampire whose bedtime is fast approaching. Why does everyone want this book so badly, anyway? Anna just wants to get it to Jane before Finn decides to turn her into dinner—or sweep her off her feet. Okay, the second option is really tempting. But they’re not out of the woods yet…

Available in print, ebook and audio in July 2016! Pre-order now!




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Indie bound





It’s “Cold as $%&@” outside! – Winter Writer-Parent’s Survival Guide



When British newscasters curse about the weather, that’s when you know winter has hit full force.

So, with forecasts in the single digits and snow looming over my self-imposed deadlines, I’ve devised a plan on how to survive the next few days, trapped in my house with my children as I try to work.

I call it, Molly’s “It’s Cold as $%&@ Outside” Winter Writer’s Survival Guide.

Step 1) Make a meal plan and a shopping list.

Consult and figure out how many days you might be house-bound. Given the conditions in my area, I’m looking at about three days with my 7- and 11-year-old.

My recommendation: Embrace your crock pot. Your crock pot is your friend. He does all of your cooking while you try to keep your house from collapsing on itself and meet your deadlines.

So here are some meal ideas, some of which I snagged from Pinterest and others that are in my usual rotation of recipes.


Chocolate Chip Muffins

Monkey Bread Muffins

And yes, I only plan two breakfasts. The kids can stand eating cereal one morning. I’m not made of muffins.


Ham and Cheese Party Sandwiches

Easy Wonton Soup

Turkey, Bacon and Avocado Grilled Cheese

My son also suggested “buying some Lunchables and stop trying so hard.” Which is another way to go.


Chinese Pork Tenderloin and Garlic Noodles

Chicken Korma

Chicken With Carrots and Potatoes

Other important foods to have on hand: hot chocolate mix, mini-marshmallows, fruit, snack crackers, diet soda/coffee/tea (for you), carrots, peanut butter, popcorn,  milk, bread and eggs. The last three, because apparently, if you can’t make French toast when it snows, civilization as we know it will collapse.

Make sure you’re stocked up on emergency items like batteries, super-glue, candles, sidewalk de-icer, blankets and can-openers. And then make sure you have writing supplies like red pens, notebooks, printer toner, and lip balm.

Also remember to put any sort of kid activity-type supplies on your grocery list, such as crayons, coloring books, construction paper, tape, Play-Doh, etc. You may tell yourself, oh, I’ll just send the kids outside to play in the snow. Rookie move. It will take you twenty minutes to get them dressed. They’ll play ten minutes and come back inside demanding hot chocolate. So what will you do for the other thirteen and half hours they’re awake that day? Have a plan, writer-person.

Step 2) get to the grocery store before the crazies sweep the bread and dairy sections clean.

For some reason, people lose their minds when it’s about to snow. Right now, the bread aisle at my local grocery looks like the day after the bread-apocalypse. You may have to consider going to the store around ten p.m. after the staff re-stocks, but you don’t want to go during peak shopping hours, because it will be super-crowded and little old ladies tend to throw elbows when Snow French Toast is involved. But use your common sense when it comes to road conditions.

If it’s already started to snow, you may just have to make due with what’s in your fridge/pantry. Ramen noodles with baby carrots, anyone?

Step 3) Arrange a designated blanket fort for each child.

Even if it’s just establishing a corner of the living room for each kid, make sure they each have their own box of crayons, paper, whatever they’re going to do and then build a chair-and-blanket structure for them. The word of the day is “separation.” Separation prevents arguing, which prevents noise, which encourages word count for you. If all else fails, arrange those same blanket forts in front of the TV and make some popcorn, and run an all day “film festival” featuring the kids favorite movies.

Step 4) Noise-proof headphones.

The key to a productive snow day plan is being able to supervise your children without being able to hear them. It sounds awful, but let’s be honest. You have a deadline. You want to know that they’re OK. You just don’t want to hear their every comment about whether Dora is ever going to get her stuff back from a kleptomaniacal raccoon. Noise-proof headphones are essential.

Step 5) Set time limits.

Be realistic about how much time you can spend writing when you and your kids are snowbound. Yes, it’s important to work, but your nerves and your house can only survive so much. And, snow days are some of my favorite memories from childhood, so make sure to take some time to snuggle down with the kids and watch some Dora, drink some cocoa and draw slightly scary snowmen. It might require you to work at night, after their bedtime, to catch up, but it will be worth it.



Music I listened to while writing…

Ever since I was a frustrated kid watching Scooby Doo, I wanted to write a super-scary ghost story. (Just once- ONCE – why couldn’t the Mystery Gang hunt a real ghost and not goofball in a latex mask? WHY?) So I used a mix of scary/haunting mood music, plus some songs that personified the characters and their love stories.

The Crane’s Nest

Those We Don’t Speak Of – The Village Soundtrack

What Are You Asking of Me? – The Village Soundtrack

Danse Macabre – Infernal Violins

Moonlight Sonata – ES Posthumous

Estasi Del Anima – Zombieland Soundtrack


No Ordinary Love – Deftones

Paradise – Coldplay 

Portuguese Love Song – Love Actually 

Holding Out for a Hero – Elise Lieberth


Best of You – Foo Fighters

I Don’t Feel Like Dancing – Scissor Sisters

Just a Fool – Christina Aguilera


Love Gun – Cee Lo Green

Pink – Aerosmith





Music I listened to while writing…

Because the book was a little darker, dealing with an abusive past relationship for Anna, the music was a little darker, too. It was a mix of my Alaska “mood setter” music and Anna’s mind-set.

The Bird and the Worm – The Used

Unstoppable – ES Posthumus

Pompeii – ES Posthumus

Nara – ES Posthumus

Bedroom Hymns – Florence and the Machine

No Light – Florence and the Machine

Seven Devils – Florence and the Machine 

Yeah, it got distressing really fast.

And because I didn’t want Anna to be totally maudlin.

Titanium – Madilyn Bailey

Shake It Out  (accoustic) – Florence and the Machine

Coming Home – Skylar Grey 

Ships in the Night – Mat Kearney 

I don’t think any story about a stalker ex could be complete without listening to:

Love the Way You Lie – Skylar Grey

Every Breath You Take – The Police 

Creep – Movie Sounds Unlimited


A requested re-post: How to Write a Query Letter


I’ve had a lot of people ask me how I got published, which is a fair question. Sometimes I wonder how I got published. And when I start to explain about query letters, their eyes sort of glaze over. So I thought I would share the query letter I used when I was searching for an agent. And give some thoughts on how to go about writing your own. I’m not saying it would work for everybody or that it’s grammatically perfect, but it worked for me.

First things first. Is your manuscript ready to be submitted to an agent? How many times have you revised it? Have you read through it objectively and analyzed it for typos and plot weaknesses? A lot of writers, understandably so, are so eager to get published that they spend more time perfecting their query letter than they spend perfecting their manuscript. (Agent Stephen Barbara wrote a great piece for Publishers Weekly on this, which can be found if you click this entry’s title.) Make sure you’re ready to start the ball rolling. First impressions count for a lot. Once an agent has passed, they’ve passed. You will not have the chance to re-submit.

Second, find your demographic. I used to find a list of about 70 agents who represented supernatural fiction, women’s fiction and Southern fiction, as my manuscript was all of those things. It would have been pointless for me to submit to an agent who only represented non-fiction. I also went for agents who accepted email queries, because it’s much cheaper and faster than “snail mail” submissions.

Now, it’s time to write your letter.

Dear Ms. Smith:

Always, always, ALWAYS direct your letter to a single agent. Do not send a blanket letter to every agent in an agency. Don’t address it “To Whom It May Concern” or “Dear Sir or Madam.” Also, spell their names right.

Meet Jane Jameson. A permanent fixture on her mama’s prayer list, she’s unmarried, unemployed, and most recently, undead. Don’t ask which annoys Mama more.

Jane is a quirky voice of reason in a world where vampires have their own aisle at Wal-Mart. A day that started with her unceremonious firing from the Half-Moon Hollow Public Library gets exponentially worse when she’s mistaken for a deer, shot, left for dead and turned into a creature of the night. Now, she’s a poster child for local vampire politics and the suspect in a tragically lame murder. Life as a single gal, undead or otherwise, is never boring.

I have introduced my character, her background and her conflict. And I tried to drop little tidbits about the plot without giving the whole book away. Think of this introductory paragraph as the cover blurb for your book. What would you write to get a reader to buy your book?

Part oddball Southern comedy, part supernatural women’s fiction, I wrote NICE GIRLS DON’T HAVE FANGS after leaving my job as a newspaper reporter in western Kentucky. While I still work as a freelance writer and humor columnist, I had to channel that sardonic energy somewhere. 

Remember to give your title! Try to classify your book to give the agent an idea of whether it fits with their client list. Limit that classification to one or two areas. If someone told me they’d written a historical romance/spy thriller with paranormal elements, I’d probably tell them they need to focus and revise their manuscript.

Pay attention to your agent’s preferences. For example, several agents on had NO VAMPIRES written in big letters on their profile, so I didn’t bother submitting to them.

Also, give a little information about yourself without over-sharing. You don’t have to give your whole life story, just a snippet. What is your writing background? Qualifications? Why did you write your book? Have you been published before?

I am writing to you because of your history of representing fiction with an unconventional voice and supernatural themes. The full manuscript, which is approximately 75,000 words, is available for review. 

Explain why you would be a good fit for the agent. Always give the word count. It gives the agent a clue as to whether they have time to read your submission.

Thank you for your time. I have enclosed a synopsis and first two pages of the manuscript, per your submission guidelines.

Say thank you, but don’t go overboard. And always follow an agency’s submission guidelines. If they don’t want email attachments, don’t send them. If they don’t want a synopsis, don’t send it.

Molly Harper

Now comes the hard part. Waiting. You’re going to get a lot of form responses (mostly rejections.) And some agents won’t respond at all because they consider a non-response their response. When you get a rejection, it’s tempting to write back and ask the agent why they’re rejecting you or whether they can recommend another agent who might be interested. If they wanted to give you this information, they would have written it in their original response.

There are three rules to follow.

1) Treat all query letters like business correspondence.
2) Be polite.
3) Behave like a stable person.

You’d be amazed how far that can get you.

Playlist for AND ONE LAST THING…


Music I listened to while writing…

For AND ONE LAST THING, it was all about the music. The following was the playlist I used while writing Lacey’s story. If you listen to the music while you read the book, you’ll be able to see which song goes with which section of the book.

Lacey’s Playlist

So What? – Pink

Trouble – Pink

Funhouse – Pink

Bad Romance – Lady Gaga

F— You – Lily Allen

Soul Sister – Train

All I Ever Wanted – Kelly Clarkson

Landslide – Dixie Chicks

Who Knows – Natasha Beddingfield

Please Don’t Leave Me – Pink

Let My Love Open the Door – Pete Townsend




To help you get in the mood for HOW TO FLIRT WITH A NAKED WEREWOLF, I’m going to post the playlist I used while I was writing it.

To remind you of the plot:

Even in Grundy, Alaska, it’s unusual to find a naked guy with a bear trap clamped to his ankle on your porch. But when said guy turns into a wolf, recent southern transplant Mo Wenstein has no difficulty identifying the problem. Her surly neighbor Cooper Graham—who has been openly critical of Mo’s ability to adapt to life in Alaska—has trouble of his own. Werewolf trouble.

For Cooper, an Alpha in self-imposed exile from his dysfunctional pack, it’s love at first sniff when it comes to Mo. But Cooper has an even more pressing concern on his mind. Several people around Grundy have been the victims of wolf attacks, and since Cooper has no memory of what he gets up to while in werewolf form, he’s worried that he might be the violent canine in question.

If a wolf cries wolf, it makes sense to listen, yet Mo is convinced that Cooper is not the culprit. Except if he’s not responsible, then who is? And when a werewolf falls head over haunches in love with you, what are you supposed to do anyway? The rules of dating just got a whole lot more complicated. . . .

I was writing about Alaska, a place that’s open and grand and sort of dramatic. And because the characters are dealing with issues a bit more serious than my previous books, I went a little more emo with the playlist. There’s a shameful amount of techno, but there’s some good stuff on here, a little road trip music, some sexy stuff, songs that sort of capture the sensations I was trying to imagine running and fighting as a wolf in the middle of the Alaskan wilderness. I used some of the same songs for THE ART OF SEDUCING A NAKED WEREWOLF, I’ll post that list next month.

Ramble On – Led Zepplin

Solisbury Hill – Peter Gabriel

Strange and Beautiful – Aqualung

(This is the song I heard in my head when I imagined Mo meeting Cooper. Everything in the room sort of slows down and all she can do is stare at his mouth. His yummy, toothy mouth.)

Lacrymosa – Evansecence

Haunted -Evanescence

Time is Running Out – Muse

Gravity of Love – Enigma 

Heartless (Swinghouse Session) – The Fray 

(Seriously, I love that song. It’s Kanye without having to actually listen to Kanye.)

Black Milk – Massive Attack

(This is, well, the “getting down” song. It is weird that my characters have one? BTW, Mezzanine is such a great album. If you don’t own it, you should.)

Icarus – Mythos

The Bird and the Worm – The Used

Unstoppable – ES Posthumus

Pompeii – ES Posthumus

Nara – ES Posthumus

My Lover’s Gone – Dido

Apologize – Silverstein

(A slightly more rocked out version of the One Republic classic. Love it.)

Mother Just Can’t Get Enough



This is the playlist I used while writing THE ART OF SEDUCING A NAKED WEREWOLF. You’ll notice that I used a lot of the same music I used for HOW TO FLIRT WITH A NAKED WEREWOLF, because they were atmosphere-setters for my Alaskan story.

She Wolf – Shakira

La Grange – ZZ TOP

Felt like a good fightin’ song. Maggie gets into a lot of fights.

The Promise – Michael Nyman

Breathe Me – Sia

Strange and Beautiful – Aqualung

(This song worked for both Mo and Cooper and Nick and Maggie, because they were all dealing with strange cross-species dating issues.)

My Skin – Natalie Merchant

Running Up That Hill – Placebo

Time is Running Out – Muse

Unstoppable – ES Posthumus

Nara – ES Posthumus

The Bird and the Worm – The Used

Master Playlist for the Nice Girls Books


These are some songs I’ve listened to regularly while writing the Nice Girls books and the spin-offs. Some songs I’ve taken out of the rotation, others I’ve only added recently, when I need to “revisit” how I feel about Jane.  Here is a comprehensive sample: 

If Jane’s Screw-Ups Had a Soundtrack
Pink – So What
Mika – Grace Kelly 
The Darkness – I Believe in a Thing Called Love 
Pink – Trouble
No You Girls – Franz Ferdinand

Jane’s “Dance Like No One is Watching” Songs
Areosmith/Run DMC – Walk this Way 
Barry White – You’re the First, My Last, My Everything 
Scissor Sisters – Take Your Mama
New Radicals – Mother, We Just Can’t Get Enough
The Heavy – How You Like Me Now

Jane and Gabriel’s Naked Songs 
Deftones – No Ordinary Love
She & Him – I Put a Spell on You
Portishead – Only You
Stripped – Shiny Toy Guns 
Sarah McLachlan – Dirty Little Secret (Thievery Corporation)

Jane’s “All the Feels!” Songs 
Adam Ant – Wonderful   
Adele – Turning Tables
Kelly Clarkson – Addicted
Civil Twilight – Letters from the Sky
Anything for Love – Meat Loaf
Closer to You – The Wallflowers 

The Dick Subsection
ZZ Top – LaGrange
Hanni El Khatib – You Rascal You
Cee Lo Green – Love Gun
Shout Out Out Out – Chicken Soup for the F— You

Playlist for DRIVING MR. DEAD


Music I listened to while writing…

In Driving Mr. Dead, I mentioned that the main character, Miranda, is a heavy iPod user and has a lot of playlists to help her cope with driving long distances (and calls from her mother), including the “I Haven’t Seen A Starbucks In Three Hours” playlist and the “Jason the Lying Ex-Fiance Called” playlist.  A reader asked me to compile one master list for Miranda, so I made a list of the music I listened to while I was writing.  The upbeat rock-pop songs are usually meant to cheer Miranda up or keep her awake when she’s been driving for too long.  The slightly more somber songs were for Miranda and Collin’s quieter moments.

“Liar” – Henry Rollins

(Also known as Jason the Lying Ex-Fiance’s Ringtone.)

“How You Like Me Now”  – The Heavy

Trouble – Pink

(Because that’s Miranda.  Walking, talking trouble.)

“Corrupt” – Depeche Mode

(This is Collin’s theme song.   Because, yeah.)

So What” – Pink

“I Love Rock’n’Roll” – Joan Jett

“Rolling in the Deep” – Adele

“La Grange” – ZZ Top

(For some reason, this song makes me think of road trips.)

“Howlin’ For You” – The Black Keys

“Ships in the Night” Matt Kearny

“Dog Days Are Over” – Florence and the Machine

“Juicy” – Better Than Ezra

“Someone Like You” – Adele

“Breathe Me” – Sia

To order Driving Mr. Dead, click here.