BETTER HOMES AND HAUNTINGS
BETTER HOMES AND HAUNTINGS: When Nina Linden is hired to landscape a private island off the New England coast, she sees it as her chance to rebuild her failing business after being cheated by her unscrupulous ex. She never expects that her new client, software mogul Deacon Whitney, would see more in her than just a talented gardener. Deacon has paid top dollar to the crews he’s hired to renovate the desolate Whitney estate—he had to, because the bumps, thumps, and unexplained sightings of ghostly figures in nineteenth-century dress are driving workers away faster than he can say “Boo.”
But Nina shows no signs of being scared away, even as she experiences some unnerving apparitions herself. And as the two of them work closely together to restore the mansion’s faded glory, Deacon realizes that he’s found someone who doesn’t seem to like his fortune more than himself—while Nina may have finally found the one man she can trust with her bruised and battered heart.
But something on the island doesn’t believe in true love…and if Nina and Deacon can’t figure out how to put these angry spirits to rest, their own love doesn’t stand a ghost of a chance.
“Naked Werewolf” Series
HOW TO RUN WITH A NAKED WEREWOLF (BOOK 3)
HOW TO RUN WITH A NAKED WEREWOLF (BOOK 3): Caleb Graham is a werewolf by nature, a tracker by profession. He uses his “extra gifts” to find people, and not always in the most legal or ethical manner. He doesn’t care what they’ve done, or who wants them found, as long as his considerable fee is paid. He likes his life simple and uncomplicated.
Anna Moder, former physician to Caleb’s pack, happens across Caleb during a particularly violent “negotiation” that has left him bloodied and unconscious. She helps him, despite the fact that he’s cost her a car, so he insists that she stay with him on the road for a while. As they grow closer, Anna looks past the gruff exterior and and the questionable job to thoroughly decent werewolf underneath.
Anna – who is careful to edit her involvement with Caleb’s pack from their conversations – doesn’t talk about why a nice girl wants to live in the middle of frozen nowhere, but she’s obviously on the run from something. When Anna’s past collides with Caleb’s current assignment from one of his sleazier contacts, Caleb finally has to make a choice—protect his job…or his potential mate?
THE ART OF SEDUCING A NAKED WEREWOLF (BOOK 2):Generations of werewolves have been secretly residing in a secluded valley a stone’s throw from Grundy, Alaska. So when a snooping Outsider comes to Grundy to investigate rumors of lycanthropic shenanigans in the area, the valley’s pack alpha, Maggie Graham, resolves to chase him away, even if doing so takes a quick bite on the butt. What a pity that researcher Nick Thatcher turns out to be so drool-worthy, and that his kisses make Maggie want to sit up and beg. Maggie just can’t seem to convince Nick to leave . . . and even worse, she can’t convince herself to stay away from him. Cross-species dating is problem enough for a harried alpha female, but on top of that, a rival group of werewolves is trying to move into the valley. With interpack war threatening, Maggie can’t afford to be distracted. Combining romance and a career can be tough for anyone; for a werewolf in love with a human, it may be disastrous. . . .
HOW TO FLIRT WITH A NAKED WEREWOLF (BOOK 1): Even in Grundy, Alaska, it’s unusual to find a naked guy with a bear trap clamped to his ankle on your porch. But when said guy turns into a wolf, recent southern transplant Mo Wenstein has no difficulty identifying the problem. Her surly neighbor Cooper Graham—who has been openly critical of Mo’s ability to adapt to life in Alaska—has trouble of his own. Werewolf trouble.
For Cooper, an Alpha in self-imposed exile from his dysfunctional pack, it’s love at first sniff when it comes to Mo. But Cooper has an even more pressing concern on his mind. Several people around Grundy have been the victims of wolf attacks, and since Cooper has no memory of what he gets up to while in werewolf form, he’s worried that he might be the violent canine in question.
If a wolf cries wolf, it makes sense to listen, yet Mo is convinced that Cooper is not the culprit. Except if he’s not responsible, then who is? And when a werewolf falls head over haunches in love with you, what are you supposed to do anyway? The rules of dating just got a whole lot more complicated. . . .
Nice Girl Spin-offs
THE WITCH’S HANDBOOK OF KISSES AND CURSES: Nola Leary would have been content to stay in Kilcairy, Ireland, healing villagers at her family’s clinic with a mix of magic and modern medicine. But a series of ill-timed omens and a deathbed promise to her grandmother have sent her on a quest to Half-Moon Hollow, Kentucky, to secure her family’s magical potency for the next generation. Her supernatural task? To unearth four artifacts hidden by her grandfather before a rival magical family beats her to it. Complication One: Her grandfather was Mr. Wainwright and the artifacts are lost somewhere in what is now Jane Jameson’s book shop. Complication Two: her new neighbor, Jed Trudeau, who keeps turning up half naked at the strangest times, a distraction Nola doesn’t need. And teaming up with a real-life Adonis is as dangerous as it sounds, especially when he’s got the face of an angel and the abs of a washboard—can Nola complete her mission before falling completely under his spell?
THE UNDEAD IN MY BED (UNDEAD SUBLET): After overworked Chicago chef Tess flips out (can everyone hear that arugula talking, or is it just me?), she rents a quiet house in Half-Moon Hollow for a month of R & R. But when she finds the place occupied by a drop-dead gorgeous vampire, Tess’s tastes—for comfort food, for small Kentucky towns, and for her irresistible lover—become nearly insatiable!
DRIVING MR. DEAD: Miranda Puckett has failed at every job she’s ever had. Her mother just wants her to come home, join the family law firm, and settle down with Jason, the perfect lawyer boyfriend. But when Jason turns out to be a lying cheater, Miranda seizes on a job that gets her out of town: long-distance vampire transportation. Her first assignment is to drive vampire Collin Sutherland from Washington to sleepy Half Moon Hollow without incident—no small feat for a woman whom trouble seems to follow like a faithful hound dog! And she has to do it without letting her passenger—the most persnickety, stuffy, devastatingly handsome vamp she’s ever met—drive her crazy. As she and Collin find disaster on the roads, they also find an undeniable spark between them. Could Miranda have found the perfect job and the perfect guy for her?
THE CARE AND FEEDING OF STRAY VAMPIRES:“The thing to remember about a ‘stray’ vampire is that there is probably a good reason he is friendless, alone, and wounded. Approach with caution.”
Iris Scanlon, Half-Moon Hollow’s only daytime vampire concierge, knows more about the undead than she’d like. Running their daylight errands—from letting in the plumber to picking up some chilled Faux Type O—gives her a look at the not-so-glamorous side of vamps. Her rules are strict; relationships are purely business, not friendship—and certainly not anything more. Then she finds her newest client, Cal, poisoned on his kitchen floor, and her quiet life turns upside down.
Cal—who would be devastatingly sexy, if Iris thought vampires were sexy—offers Iris a hefty fee for hiding him at her place. And even though he’s imperious, unfriendly, and doesn’t seem to understand the difference between “employee” and “servant,” she agrees. But as they search for who wants him permanently dead, Iris is breaking more and more of her own rules . . . particularly those about nudity. Could it be that what she really needs is some intrigue and romance—and her very own stray vampire?
The “Bluegrass” Series
COMING SOON: RHYTHM AND BLUEGRASS (BOOK 2)
Bonnie Turkle, multimedia historian for the Kentucky Commission of Tourism, is dispatched to Mud Creek, a tiny eastern Kentucky town, with few prospects but many oddballs, to rescue important artifacts from McBride’s Music Hall. Now fallen beyond disrepair, McBride’s was once a jewel of the early American music scene, an intersection of the country-western and rhythm and blues circuits. The former owner’s grandson, Will McBride, who also happens to be Mud Creek’s esteemed mayor, would like nothing more than to see the place bull-dozed in favor of a factory that will provide much-needed jobs to his citizens. But Bonnie finds evidence of a legendary musical event at the music hall and her plans to turn it into a museum put Mud Creek’s economic future at risk – not to mention the growing flirtation between the two of them. If Will and Bonnie can’t find common ground, the town’s past and future will be lost.
MY BLUEGRASS BABY (BOOK 1): Sadie Hutchins loves her job at the Kentucky Tourism Commission. She loves finding the unusual sites, hidden gems, and just-plain-odd tourist attractions of her home state. She’s a shoo-in for the director’s job when her boss retires at the end of the year…until hotshot Josh Vaughn shows up to challenge her for the position. Josh is all sophisticated polish while Sadie’s country comfort, and the two have very different ideas of what makes a good campaign. So when their boss pits them against each other in a winner-takes-all contest, they’re both willing to fight dirty if it means getting what they want. But it turns out, what Josh and Sadie want could be each other—and Josh’s kisses are the best Kentucky attraction Sadie’s found yet!
The “Nice Girls”series
NICE GIRLS DON’T BITE THEIR NEIGHBORS (BOOK 4): Just as Jane Jameson’s unlife seems to be stabilizing, fate sinks its fangs firmly into her butt. Despite her near-phobia of wedding planning, her no-frills nighttime nuptials to her sexy boyfriend, Gabriel, are coming along smoothly. That is, until she turns a fatally wounded teenage acquaintance, and the Council pronounces her responsible for the newborn vamp until he can control his thirst.
Jane’s kitchen barely holds enough Faux Type O to satiate the cute teen’s appetite and maintain Gabriel’s jealous streak at a slow simmer. As if keeping her hyperactive childe from sucking the blood out of the entire neighborhood isn’t enough to deal with, the persnickety ghost of Jane’s newly deceased grandma Ruthie has declared war on the fanged residents of River Oaks. Suddenly choosing monogrammed cocktail napkins and a cake she can’t even eat seem downright relaxing in comparison.
Tensions inside the house are growing…and outside, a sinister force is aiming a stake straight for the center of Gabriel’s heart. Most brides just have to worry about choosing the right dress, but Jane fears that at this rate, she’ll never make it down the aisle for the wedding all nice girls dream of…
NICE GIRLS DON’T DATE LIVE FOREVER (BOOK 3): Nothing sucks the romance out of world travel like a boyfriend who may or may not have broken up with you in a hotel room in Brussels. Jane Jameson’s sexy sire Gabriel has always been unpredictable, but the seductive, anonymous notes that await him at each stop of their international vacation, coupled with his evasive behavior over the past few months, finally push Jane onto the next flight home to Half Moon Hollow — alone, upset, and unsure whether Gabriel just ended their relationship without actually telling her.
Now the children’s-librarian-turned-vampire is reviving with plenty of Faux Type O, some TLC from her colorful friends and family, and her plans for a Brave New Jane. Step One: Get her newly renovated occult bookstore off the ground. Step Two: Support her best friend, Zeb, and his werewolf bride as they prepare for the impending birth of their baby…or litter. Step Three: Figure out who’s been sending her threatening letters, and how her hostile pen pal is tied to Gabriel. Because for this nice girl, surviving a broken heart is suddenly becoming a matter of life and undeath….
NICE GIRLS DON’T DATE DEAD MEN (BOOK 2):With her best friend Zeb’s Titanic-themed wedding looming ahead, new vampire Jane Jameson struggles to develop her budding relationship with her enigmatic sire, Gabriel. It seems unfair that she’s expected to master undead dating while dealing with a groom heading for a nuptial nervous breakdown, his hostile werewolf in-laws, and the ugliest bridesmaid dress in the history of marriage.
Meanwhile, the passing of Jane’s future step-grandpa puts Grandma Ruthie back on the market. Her new fiancÉ, Wilbur, has his own history of suspiciously dead spouses, and he may or may not have died ten years ago. Half-Moon Hollow’s own Black Widow has finally met her match. Should Jane warn her grandmother of Wilbur’s marital habits or let things run their course? Will Jane always be an undead bridesmaid, never the undead bride?
NICE GIRLS DON’T HAVE FANGS (BOOK 1): Maybe it was the Shenanigans gift certificate that put her over the edge. When children’s librarian and self-professed nice girl Jane Jameson is fired by her beastly boss and handed twenty-five dollars in potato skins instead of a severance check, she goes on a bender that’s sure to become Half Moon Hollow legend. On her way home, she’s mistaken for a deer, shot, and left for dead. And thanks to the mysterious stranger she met while chugging neon-colored cocktails, she wakes up with a decidedly unladylike thirst for blood.
Jane is now the latest recipient of a gift basket from the Newly Undead Welcoming Committee, and her life-after-lifestyle is taking some getting used to. Her recently deceased favorite aunt is now her ghostly roommate. She has to fake breathing and endure daytime hours to avoid coming out of the coffin to her family. She’s forced to forgo her favorite down-home Southern cooking for bags of O negative. Her relationship with her sexy, mercurial vampire sire keeps running hot and cold. And if all that wasn’t enough, it looks like someone in Half Moon Hollow is trying to frame her for a series of vampire murders. What’s a nice undead girl to do?
AND ONE LAST THING… : “If Singletree’s only florist didn’t deliver her posies half-drunk, I might still be married to that floor-licking, scum-sucking, receptionist-nailing hack-accountant, Mike Terwilliger.”
Lacey Terwilliger’s shock and humiliation over her husband’s philandering prompt her to add some bonus material to Mike’s company newsletter: stunning Technicolor descriptions of the special brand of “administrative support” his receptionist gives him. The detailed mass e-mail to Mike’s family, friends, and clients blows up in her face, and before one can say “instant urban legend,” Lacey has become the pariah of her small Kentucky town, a media punch line, and the defendant in Mike’s defamation lawsuit.
Her seemingly perfect life up in flames, Lacey retreats to her family’s lakeside cabin, only to encounter an aggravating neighbor named Monroe. A hunky crime novelist with a low tolerance for drama, Monroe is not thrilled about a newly divorced woman moving in next door. But with time, beer, and a screen door to the nose, a cautious friendship develops into something infinitely more satisfying.
Lacey has to make a decision about her long-term living arrangements, though. Should she take a job writing caustic divorce newsletters for paying clients, or move on with her own life, pursuing more literary aspirations? Can she find happiness with a man who tells her what he thinks and not what she wants to hear? And will she ever be able to resist saying one . . . last . . . thing?